Gremaxa is a feathered, reptilian practitioner of essence magic, introduced in issue 5 of Cartozia Tales by Isaac Cates and Mike Wenthe. She goes on to appear again in issue 6, written by Jen Vaughn and drawn by Caitlin Lehman, and again in Tom Motley’s issue 7 story. Since I will be continuing the story in issue 8, I spent some time sketching her yesterday, and used fabric collage to color the drawing. Visit the Cartozia store to subscribe, and be sure to sign up for a premium subscription with fun bonuses, so you can get a neat little treatise on Cartozian magic and learn more about the essence magic used by Gremaxa.
This is one of the fun things you can do with layer masks in either Photoshop or Manga Studio/Clip Studio (I used Manga Studio 5 to create this image). Using layer masks allows me to choose where each fabric swatch should appear without actually erasing any of it. So if I need to, I can reposition the fabric under the mask to get all the colors and textures where I want them.
My story for issue 7 of Cartozia Tales is set in Matia, the Mother Wood on the western continent. If you’ve seen my paintings and my Lolly Poppet comic, you can probably tell that I like drawing trees. Though the panels in my Cartozia stories are usually quite small (like many of my Cartozia colleagues, I’ve been laying out the pages with 4 tiers so I can fit in as much story as possible), I wanted the tree in this panel to seem huge and expansive.
It’s design is based partly on the live oaks found in the southeastern U.S. Those trees grow huge, meandering branches that can arch down to the ground, descend into the soil, and re-emerge, as if they were trunks of separate trees. This panel is too small to capture that hugeness, but I tried to simulate it by extending the branches in the foreground to the bottom corners of the panel, as if they are extending toward the viewer.
The black and white version above is how the panel will appear in print (soon)! Just for fun, I made a color version to share online. (Because I’m excited that the mew issue will be in print soon. Soon!) Order yourself a subscription at Cartozia.com and our editor will mail you ALL THE ISSUES! That means you can get actual FUN mail that isn’t ads or bills! It’s a win!
As we finish work on issue 7 of Cartozia Tales and lay the groundwork for issue 8, I’ve been looking back on the stories I’ve done for the series far. Many of the characters we create appear in more than one issue, being passed from artist to artist. Some only make brief appearances. In issue 6 I introduced a character who is NOT likely to appear again. She was only in one short flashback that took place 30 years before the main storylines, but she was such fun to write and draw that I wanted to revisit her.
The Sand Witch was Jessyn’s nasty, cruel alchemy teacher for a time, long before she had Gandria and Tierce or travelled to Upside-Town. The Sand Witch only appears in a couple panels, but her presence is felt for a whole page! She lived in the desert landscape near Urbs, on the western continent. We don’t know much about her except that she needs herbs for her work, and she likes rocks for her corns. But I wanted to do a color image of her, and thought the character and texture of her brief scene would lend themselves well to a fabric collage:
Here’s what she looks like in black and white on the pages of Cartozia, along with a young Jessyn:
If you want to see how she figures into the story, remember you can subscribe online at http://cartozia.com/store/.
I drew this to critique the way art is devalued. Young artists are often scoffed at and told that they’ll starve, they’ll always be poor. When even artists repeat the refrain that art degrees are useless, there is a problem with either deeply-ingrained defeatism, or a lack of practical guidance (usually both). There are lots of interesting things you can do with arts degrees in the public and private sectors, and in multiple industries. It is not always easy, but it is rewarding. Art is everywhere, and people pay money for it. If only more parents and educators told young artists HOW to succeed in the arts, instead of discouraging them.
If you want a print of this, there are a few different options:
Order a signed print through my fancy internet store on this very website.
Cards with this design are available through my RedBubble store.
Framed, unsigned prints are available through Society6.
During March 2015 I drew a series of illustrations of famous women from history. I’m now compiling some of them into a hand-bound zine, which will be available at Autoptic at the end of summer. You can order prints of them in my web store.
Grace O’Malley, called the Pirate Queen of Connacht, controlled a large section of the Irish coast. She was a contemporary of Queen Elizabeth I, and even went to court to negotiate with her. It is said that O’Malley refused to bow, because she didn’t recognize Elizabeth as queen of Ireland.
Jackie Ormes was the first African American woman with her own syndicated comic strip. The characters in her comics were smart and fashionable. She sometimes drew paper doll cutouts for Torchy Brown.
The Trung Sisters lived in Vietnam 2000 years ago. They led an uprising against Chinese rule. Many of the generals they trained were women. national heroes!
Boudica was Queen of the Iceni, a Celtic tribe in Britain. The Romans flogged her, raped her daughters and annexed her kingdom after her husband died, so she led a rebellion against them. Local tribes rallied to her to fight back against the tyrannical occupiers, and they sacked several cities, including London.
Posted in drawing
In this follow-up to the original Bantam comic, Bantam and Little Pecker are invited to join the Interdisciplinary League of Good Eggs and rub elbows with the greatest heroes of Cockham City: Arnold the Super Cardinal (created by Danno Klonowski), Wonder Pea Hen, Super Tough Chick, and Water Fowl! However, Bantam doesn’t get quite the reception he expected, and isn’t pleased with his first “mission…”
This is an 8 page mini available ONLY online, but you can get the original 20-page Bantam in downloadable form on Comixology and Kindle. Printed copies are available in my web store.
I did these a few years ago and neglected to add them to this site.
Posted in paintings
Click the image to vote on this design at Threadless!
I won’t give too much away here, but my next Cartozia ( <- click the link to subscribe!) story will feature Phibbits. Phibbits are a race of froglike people I created for Cartozia. These two juveniles are called Kibble and Pip.
Here are a few teaser images from the comic. It is set in the woods, and I had fun drawing all the trees. I tried to make them look like they were done with pen and ink, but they’re completely digital. I used Manga Studio to draw the comic.
Just something I did over the summer. Appeared in the online edition of the 2014 City Pages Comix Issue.
Posted in comics
my comic from issue 4 of Cartozia Tales, with settings suggested by Jen Vaughn and Isaac Cates. Visit cartozia.com to read about the collaborative process.
Here’s a one-pager I did for Cartozia Tales, a series of collaborative all-ages fantasy comics I’ve been working on for the last year or so. The name “Shambling Tower” was suggested by editor Isaac Cates.
Two silly comics about pretzels from July 2014.
Posted in comics
Tagged comic, digital
Digital caricature of Rowan Atkinson as Mr Bean. Photoshop, winter 2013.